The Cross of the Crucified Christ >>> the Celtic Cross
The Cross of the Risen Christ >>> looks like an ARROW or a triangle on a stick.
Wow, that’s so wild. Do you have anything about this on yr website?
Yes I do, but I have been reluctant to post a link.
I was still deliberating what the archetypes meant.
This response will help me complete the necessary corrections I need to make in that post on the wordblog.
So first you need to read this.
It shows the three crosses in all their glory.
http://kingsgarden.org/English/Organiza … r1199.html
So this link on my wordblog comes with a disclaimer:
http://kachina2012.wordpress.com/2009/0 … ood-still/
I make a comment on my blog that the CROSS of the RISEN CHRIST reminded me of the Tippe Top that I speak of on that blog.
When it is clear to me now that the Tippe Top embodies all three crosses.
I became aware of this as I was building a labyrinth in my own backyard this past summer based on several archetypes that merge together so nicely.
The labyrinth I designed for my garden contains the following archetypes found within all these images:
3 Crosses of Christ
The shape is an ‘alchemical marriage’ a ‘ceremonial labyrinth’ created by Helen Curry* and of my avatar, the THREE Crosses, along with the series of concentric rings presented below, which is based on, and created using the Greek Zodiacal Cross, and the concept of Precession of the Equinoxes.
A model employed in the Atlantis Cross as described by Plato too.
*Helen Curry and the Labyrinth Society:
http://labyrinthsociety.org/labyrinth-t … egory/314/
The CROSS of the CRUCIFIED CHRIST or the Celtic Cross is the cross that MOST resembles the shape, form and function of the Tippe Top as it is set into motion.
But when the Tippe Top REVERSES itself and FLIPS in the final stages…it becomes clear that we can now associate its rotations with these three crosses. The arrow, the celtic cross, and the reversal of fortunes implied by the swastika.
Please note the numbers in my MODEL above that were extracted from the Greek Zodiacal Cross which apart from the handle and concentric circles, seems to be a fit for the Atlantis Cross above, both have indications for each of the 12 zodiacal signs.
This is important to note, otherwise you will never see the connections and associations.
Note the pattern I present in my 4 Ages Model.
It is consistent with the SAME astrological signs that Alice Bailey assigns her THREE CROSSES based on astrology.
Cross of the Risen Christ = ARROW = Cardinal = 1, 4, 7 and 10 is the FIRST ring in my model, the BLUE arrow rotating clockwise.
Cross of the Crucified Cross = CELTIC CROSS = Fixed Cross = 2, 5, 8 and 11 is the SECOND ring, the RED arrow rotating clockwise.
Cross of the Hidden Christ = SWASTIKA = Mutable Cross = 3, 6, 9 and 12 is the THIRD ring and please NOTE the REVERSAL of the GREEN arrow, now rotating counter or anti-clockwise, this helps define this universal model.
The REVERSAL must be present in the final stage to be valid.
I have found so many belief systems that fit this 4 ages model that ‘reverses’ itself in the third stage.
Similar to three wishes granted by your genii.
The third wish negates the first two wishes.
So I ponder what the Spring Temple Buddha in China is ‘signifying’ at this stage in our ‘evolution’ where it might be true the creation has already been documented, its already been written?
And the best part is that Alice Bailey, the Greek Zodiacal Cross, Plato, and Aleister Crowley and ME all came to the same conclusions.
I clearly was lead by activating/using my intuition.
Nobody showed me anything.
Which means anybody can tap into this process of what Carl Jung called ‘individuation’.
The POWER of the mandala will be later explored.
My childlike ‘follow the dots’ doodling I found out later on was an intuitive match for Aleister Crowley’s interpretation of the Greek Zodiacal cross.
So here is another link that discusses Alice Baileys book called Esoteric Astrology and the three crosses attributed to an ‘archetypal’ christ, NOT to be taken literally.
Pentagram of course is connected in a profound way.
Pentagram contains the GOLDEN code within its architecture.
When I think pentagram my mind defaults to the golden mean, the golden ratio, Fibonacci numbers, the golden spiral, or simply just phi.
Bottom line…the TRUTH is that the Pentagram is a symbol to represent nature’s spiral
And the best part is I link all of the foregoing to phi and a simple code easily remembered by any child.
1, 1, 2, 3, 5, 8, >> to infinity
And this simple code can be found embedded in the most popular Tarot deck ‘played’ with today.
The Rider-Waite Tarot.
Designed by a Freemason and a co-founder of the Golden Dawn.
So the CODE is clear to me.
It is found on CARD X of the Tarot depicting the 4 Gospels 118 25
Found in Matthew 1:18-25 recording the BIRTH of Christ.
Found in the Coptic translation of the 5th Gospel with the missing ’3′ restored.
Found in so many places I am beginning to compile a lengthy list of ‘coincidences’ found here:
http://breakfornews.com/forum/viewtopic … highlight=
What size and shape is the labyrinth?
Much has been written about the exact size and measurements of the Chartres labyrinth. Hermann Kern (Kern, 1982), for example, stated categorically that the labyrinth is elliptical rather than circular, 12.60 x 12.30 metres (41 feet 4 inches by 40 feet 4 inches). He based his statement on comments from Maurice Guinguand, who had presumably taken his measurements from the often-published overhead photograph that appears in many books. However, this photograph, taken through a small hole in the ceiling of the nave, where the vaulting ribs intersect, is not directly above the centre, but offset toward the entrance of the labyrinth. As a consequence, it will always appear slightly elliptical in any of these apparently ‘overhead’ photographs.
The exact size of the labyrinth has been the subject of some disagreement. W.H. Matthews said about 40 feet, Nigel Pennick and Lauren Artress say approximately 42 feet and Emanuel Wallet gives 13 metres, nearer 43 feet. Actually the labyrinth is 12.887 x 12.903 metres (42 feet 3⅜ inches by 42 feet 4 inches) - an average of 12.895 metres (42 feet 3 & two-thirds of an inch) - with the longest axis across the line of the entrance to the far side, or top, of the labyrinth (1). This slight discrepancy from a true circle, although only a 0.0465 % error, might seem to support the claims that the labyrinth is slightly elliptical, but it is difficult to see that the original architects would have created this slight obliquity of ⅝ inch (1.6 cm) on purpose. It would seem more likely to be the result of 800 years of gradual compression of the floor from the weight of the aisle pillars that line the nave, either side of the labyrinth, causing the individual interlocking stones that form the pavement to creep slightly inwards across the width of the labyrinth.
I am not sure I agree with what I have highlighted in red.
The asymmetry I feel was part of the design from the very beginning of the design process.
3 Crosses of Christ
What do the 3 Crosses of Christ look like when stacked on top of each other?
I see a match made in heaven!
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”