I do wish I could find the source of this image
which appears to be a depiction of the movement of our solar system
shared with me on FaKebook November 8th, 2015
The reasons will soon become apparent
UPDATE March 29, 2015
It has only been 9 days since my last update.
Today’s update is a good one, it is indicative of an awakening consciousness.
But clearly the Russian artist Mikhail Sadovnikov who gives us a demonstration of clay and the pottery wheel, has not really invented anything new at all as this blog will illustrate.
What this youtube video in fact helps to prove is that certain archetypes are both eternal and infernal.
I ponder the link between being mesmerized and a collective hypnosis or CULTural trance everybody agrees to agree on without saying a word.
Continue reading to see how genius and crazy co-exist.
UPDATE March 20, 2015
It has been several years since I announced to the world that science would one day find out what the swastika was really all about.
I made that claim because my journey or awakening seemed more like a recovery process, the recapture of ideas that were part of who I am spoke to me in a way than a series of scientific discoveries or religious dogmatic claims never ever did.
The following science AHA merely confirms what was recovered by ME+me quite a few years ago.
It was a feeling in my GUT that the OX TOE being recovered was an idea that could be associated to many different levels of scaling or dimensions.
i.e. how to hop, skip, and take jump or take quantum leaps of imagination using the peaks and valleys of the home terrain called the Milky Way, how to our collective advantage as we ride the cosmic roller coaster experiencing the ups and downs of our own life sometimes spiraling out of control?
~ end of UPDATE ~
UPDATE January 22, 2014
A Synthesis of Fundamental Parameters of Spiral Arms, Based on Recent Observations in the Milky Way
Recent advances in the position and shape of each spiral arm in the Milky Way (pitch angle, shape, number, inter-arm separation at the Sun) are evaluated and compared, and a statistical analysis yields an updated idealized Galactic map.
Earlier tabular results were published in five blocks of 15 to 20 each, covering 1980 to 2007 [1-4]. This paper presents the latest two blocks, each between 15 and 20 entries of published spiral arm researches since 2008. Using this revised Galactic map, and a discussion on the width of the Sagittarius arm (major or minor or equal), an interpretation of orbital streamlines for the gas and magnetic fields is presented for 2 major arms and for 4 major arms in the Milky Way.
Our interpretation for all the recent data favors the following:
a four-arm non-circular spiral pattern for the Milky Way; the Sagittarius arm being likely an equal arm; the inter-arm separation at the Sun’s location converging near 3.0 kpc. We emphasize that these conclusions encompass all the data, and thus can vary somewhat from the results of data obtained from a single filter (only CO data, say).
I find it interesting how those spiral arms fit nicely over this clay bowl dated between 4000-5000 BC.
The image below was submitted by ‘Eric’.
His other comments and contributions can be found in the comments that follow this blog.
He was adding to the other information I had presented.
~end of UPDATEs~
[the original post written in 2008 begins here]
3 > M > E > W
Neolithic philosophy evolved to Bronze Age language systems that involved ideograms.
An ideogram or ideograph is a graphical symbol that represents an idea, rather than a group of letters arranged according to the phonemes of a spoken language, as is done in alphabetic languages.
3 > M > E > W
Start with the number 3 in the NE position and ‘precess‘ backwards.
Because this clay bowl can also be used to explain ‘precession of the equinoxes‘.
“fish don’t’ swim, they’re swum and birds don’t fly, they’re flown”
In the image above we can apply the 3M theory plus 4-fold rotational symmetry to this 7000 year old plate by rotating the wheel resulting in 3 > M > E > W
How important are the principles of geometry to our material world taking shape?
Are the three ‘R’s … Rotation, Reflection, and something gets lost in the tRanslation?
The New Jerusalem, i.e. the promised land that has been promised to manifest according to some believers has been described on more than one occasion as occupying the spatial dimensions of a cube, perhaps even the hypercube.
Even HOPE was placed inside Pandora’s Box for safekeeping, and to give us HOPE, that is something worth pursuing inside that box, the treasure chest, the Holy of Holies.
Why does the idea of a container or receptacle like the Ark (both the ‘chest’ and boat), the Grail Cup lives on.
The 21st century version now being sold and told as a new gospel is that the seed or bloodline of Jesus lives on today because he had actually impreganted the Holy Womb of Mary Magdalene before departing from this world.
Pandora and the sacred box, cunning stunts yet to be revealed?
This idea of a picnic basket, a Gucci handbag or Little Red Riding Hood has deep cosmological roots.
This particular blog attempts to unveil the Universal Movements that are KEY to understanding the ‘asymmetrical creation’.
It is an attempt to reverse engineer the ‘archetype’.
The archetype comprises the fundamental templates that penetrate ALL levels. Which can be found in the ‘constants’ that physics uses, or the gods people pray to.
Space Time Motion needs to be defined and agreed upon BEFORE we can answer who we are, where we are, and where we are going.
Is Space the final frontier?
Or is it Motion?
Drachm late 5th-early 4th century BC
Anchor/Four dolphins within swastika – Black Sea
“fish don’t’ swim, they’re swum and birds don’t fly, they’re flown”
Trying to get beyond the 3 body problem in physics, or even trying to pin down the elusive electron which behaves paradoxically as both a particle and wave suggests we still have a long way to go before science delivers a theory of everything.
The following is very important to consider, it supports what I suggest, the archetypal mind always comes to the same conclusions within an archetypal universe. The asymmetry of our hands helps us keep in touch with this apparent reality. Our apparent ‘right-handedness connected to the left hemisphere of our mind’ provides us with a ‘chicken and egg’ paradox.
Which came first?
The experts are not certain* if handedness drove left brain language and math development or the reverse, evolution of the mind via letters and numbers occurring primarily in the left hemisphere explains our preference in using primarily the right hand for writing.
*though some experts default to the D gene as the deciding factor. The D gene separating us from the apes long long ago. But note this is still a theory and conjecture in itself based on another theory that suggests man evolved from the ape. We must remember this D gene theory lacks the insights that ‘Junk DNA’ has yet to offer.
But I want to suggest there is an undeniable connection between the following facts that we do know to be true and verifiable.
All significant building blocks at our disposal appear to be asymmetric, many are chiral too.
i.e. matter and anti-matter, double helix of DNA, amino acids, sugars, etc. the list is extensive.
Now is it a coincidence or evidence of the design that the human who has an asymmetrical MiNd and an asymmetrically placed heART was also given asymmetrical L/R hands with which to create and build using the asymmetrical building blocks that are strewn about like a giant jigsaw puzzle?
Thus we have a reason why handmade pottery might be considered important as an indicator of the archetypal state-of-mind that which crafted the ART. The kind of heART that transcends man made borders and beliefs, never ever dying out.
Ceramics can also be dated with some accuracy.
Formerly every writer on the history of pottery seemed to imagine that the very rudest pottery must have been the invention of Egyptian, Chinese or some other distinct race from which the knowledge radiated to all the other races of the prehistoric world. No conception could be more erroneous. Since the middle of the 10th century research has established beyond doubt that wherever clay was found men became potters of a sort, just as they became hunters, carpenters, smiths, &c., by sheer force of need and slowly-gathered tradition. The not yet exploded view that Egypt or Assyria was the special cradle of this art, and that the pottery of the Greeks and Romans directly descended from such a parent stock, cannot survive in view of the incontestable evidence that pottery was made by the prehistoric peoples of what we now call Greece, Italy, Spain and other countries, long before they were aware that any other peoples lived on the earth than themselves.
I love this handmade bowl (not crafted on a potters wheel) from Samarra, Iraq.
Dated to about 5000 BCE and there are others.
5000 years before Christ, it has only been 2000 years since Christ.
1900 years before the great succession of Egyptian Dynasties appeared according to current guess-estimates.
Here is your first AHA! leading to a unification.
Menes/Narmer? who ruled over a united upper and lower Egypt was also referred to as King Hor-AHA!
Very very important … did you read the text that accompanies the image regarding the apparent direction of the fish, the birds and the outer ring on the plate?
The image on the left is a Digital Sky Survey of the Milky Way.
The schematic is self explanatory, please note it is also very similar to how a ‘hurricane’ functions.
i.e. both have an eye wall etc.
But what I find most interesting is how the structure of the plate from Samarra circa 5000 BCE is very very very similar to apparent movements of our own galaxy, the Milky Way.
Please note to make the comparisons easier I used the same colors for the arrows to indicate direction of rotation or spin, on the plate, to match the arrows on the Digital Survey of the Milky Way.
I also placed a yellow circle in the center of the swastika to correspond with the yellow circle in the center of the graph.
yellow is centered BUT that particular swastika we see in the center of the plate if it did move, would move <<< counterclockwise <<<
light blue arrow indicates the first valance or shell the contents move >>> clockwise >>>
red arrow indicates the second valance also rotates >>> clockwise >>>
green arrow, the third outer valance moves <<< counterclockwise <<<
The Swastika and the Square Wave
By Dr. Jessie Mercay
“As in Micro, so in Macro. The whole exists within the minutest particle and the minutest particle contains the whole. The atom contains the universe and the universe contains the atom, and neither exists without the other. Creator exists within creation, even as creation exists within creator.”
– Brahmarishi Mayan, circa 10,500 BC
Mamuni Mayan discovered that the fundamental form of creation is the cube.
This cubical structure is called the micro abode (smallest particle that is the abode of pure consciousness/absolute space). The initial pulse in Absolute Space as described in this monograph forms this minute structure.
If we take Mamuni Mayan’s statement above and apply it to current scientific knowledge about the nature of square waves gained through modern science perhaps we can have a better understanding of the subtle formation of the initial 4X4 structure during the manifestation process. In other words, Mayan’s law above states in essence that what is in the manifest world is found in the unmanifest world and vise versa. Since we already have scientific knowledge about square waves in the material world perhaps we can apply this to the unmanifest world and the manifestation process. This will possibly help us to understand the peculiarities of the process of manifestation.
Scientists have discovered that when a square wave begins it has a fall equal to its rise. In the figure below, the + point is the zenith (peak) of the rise of the square wave while the – points out the nadir (lowest point) in the fall of the square wave. This represents one full pulse in the square wave. The diagram below demonstrates this.
Notice that as the square wave falls to its nadir it proceeds forward in the space-time continuum. Thus the rise and fall of the square wave pulse actually occupies what might be called four units of space within the one pulse. In observing this phenomenon visually it becomes immediately apparent that the single pulse of the square wave actually creates four space-time units as shown below:
In other words, one square wave pulse could be said to create four space-time units. Hence, we may extrapolate from this that with the first pulse of Absolute Space; four Space Time units are created.
It is as if with one blip or pulse, Absolute Time, Om Light and OM Sound are created (4 units composed of Absolute Space, Absolute Time, OM light and OM Sound)
Then manifestation occurs in two pulses at a time (each blip contains 4 Space Time Units or 8 units each in an additive manner) – blip blip (Air); and continues – blip, blip (Fire); blip blip (Water); blip blip (Earth).
Eventually forming what is called the 8×8 Manduka Mandala.
In summary, the initial manifestation process begins with the formation of a 2×2 structure formed from one pulse of Absolute Space.
It is from that point on that the additive factor of eight begins.
Note: Above are two demonstrations of the development of the sacred form known as the swastika related to the concept the square wave. It is easy to see how this ancient cross-cultural image was derived.
Representation of this Self spin is noted throughout history in many cultures including China, Tibet, Nepal, Mexico, Native American, South Pacific and of course India. The images or a permutation of the image is in the form of the swastika. This image is not to be confused with the tilted swastika used by the Nazis.
Fabric of The Universe: The Origins, Implications, and Applications of Vastu Science By Jessie J. Mercay. Text and diagrams, with permission, from Dr. Jessie Mercay, Fabric of the Universe, aumscience.com/wordpress.
For any questions please visit;
Now the relationship of the square wave to the swastika will help us understand harmonics and why the ancients used the swastika as a powerful mnemonic device pregnant with information, just like the double helix of our DNA.
Watch that video … it helps you visualize how HARMONICS affect wave forms.
And it helps confirm why the glyphs/shapes W M E and 3 were commonplace during the Bronze Age.
Note that these abstract geometric forms on the rim of the plate coincidentally resemble the square waves, found in digital sound, and coincidentally when this template is applied against the zodiac and the Precession of the Equinoxes, Pisces would be in the third valance, coincidentally, this places us in the digital age, and I just want to mention one more coincidence, in this regard, our galaxy has been placed on the outer arm of the spiral galaxy called the Milky Way.
Coincidentally, between the first and second valance the neck of the bird is similar to a saw-tooth or triangular wave…that can be traced to the Nazca Lines in Peru and also to the tomb of the alchemist Christian Rosenkreuz.
Below look at the Nazca monkey with the spiral tail and two hands that only have 9 fingers.
4 fingers on his right hand and 5 on his left.
A bandlimited sawtooth wave pictured in the time domain (top)
and frequency domain (bottom)
The fundamental is at 220 Hz (A2)
220 hertz is half of 440 hertz.
We adopted the gematria tuned 440 hertz as the international standard for the note ‘A’.
Many musicians suggest 432 hertz is preferable.
In the image below I have included the other etchings not visible in the picture, we see the Sawtooth Wave as representing both TIME and FREQUENCY.
Suggesting the Nazca people were intuitively aware of the different kinds of ‘wave forms’.
IMHO the evidence is evident.
The mysteries behind the meanings of the Nazca Lines are becoming clearer as my blogs illustrate.
The ancients were VERY aware that the universe was filled with light and sound waves.
They just had a different way of expressing this knowledge.
YES this appears to be true.
True they failed to exploit energy, the way we have…but maybe this is the lesson?
So what frequency is the Nazca chimp who wants to be champ plotting, knitting with his left / right hands?
It will soon become quite clear.
As I type this … it is evident that HIS-story is about to take a turn for the worst …. and HER-story and history shall become clearer.
Can anybody suggest to me what that monkey might be weaving with his chiral asymmetric hands?
Remember our DNA, amino acids, and crystals tend to be composed of chiral asymmetry…from the smallest particles with mass to the largest galaxies, evidence of asymmetry can be found.
The graph plot above shows the first 511 terms of the Fibonacci sequence
represented in binary, revealing an interesting pattern
of hollow and filled triangles
That is what I feel that monkey is weaving, time and frequency.
Look at the kinds of waves, sawtooth, square and sine waves?
Are the 3 Soul Gates navigated using different kinds of waves?
This blog re: Nazca Lines helps to further link the ‘creation narratives’ from both Mesoamerican and Mesopotamian cultures, divided by an ocean and a scripted HIS-story.
Back to the Halaf plate.
I also found it necessary to flip the image on its vertical axis so I could illustrate how the rotations are in fact IDENTICAL. Please note the swastika has been rotated asymmetrically.
This is way way way too much fun.
Have I invented a new field of inquiry?
A 13 Step Recovery Program called A.A.A.
Is GRAVITY a pushing or pulling force?
My vortex guru Vincent Wee-Foo suggests it could be a pushing force which contradicts what we have been told for years that gravity pulls.
“I agree with you Graham that gravity is NOT a pull event.” – James A. Graber (aka Jag of TOEQuest Forum) with twenty-five years into vortex research, 14th Nov 2008.
“I must in the full recognition of the fine work he does give thanks to Vincent Wee-Foo, for his platform of ponder for explanation of gravity being a push in effect.” – Graham Burnett
I discussed the above images.
Those movements are the KEY to understanding ALL movements great/macrocosmic or small/microcosmic.
I personally cannot prove that an electron behaves in this manner, I will leave those experiments to others, though I do believe/feel that template above can in fact be applied to how electrons and atoms and can also be applied to the movement of larger macro bodies like Sol our Sun.
Those movements are in fact sacred and ‘just’.
Those movements initiated by the ‘swastika’ at the center can be traced to many esoteric ancient symbols, as this wordblog shows.
The blog helps to connect the above Universal Movements and the ancient symbols to the inherent movements by Sol our Sun, implied by the Precession of the Equinox cycle.
So even though I cannot track the movement of the electron, I can in fact track the movement of the Sun.
The ancients all did. The path called Precession is clearly laid out for us to follow.
I must admit, I have been talking incessantly about the KEY to Universal Movement for quite some time.
Take a close look at the above images…note the directions of the ‘rotations’, i.e. two inner rotations moving opposite to the third outer rotation…which direction is the center moving?
Now watch this video and you will understand the KEY to UNIVERSAL MOVEMENT
I believe this video captures the essence of the movements we see above.
It is to say at the least, hypnotic.
Is the creation a hypnotic hologram?
The KEY to Universal Movement has been found, again.
Ask Milo Wolff…
It can in fact be applied to the Precession cycle and what 2012 is suggesting, hence its REAL value.
It implies something will soon happen, as we continue to move from the Age of Pisces into the Age of Aquarius.
It implies the solution to what may lay ahead can be both musical and magical too.
UPDATE March 9, 2010
WHAT does an IMAGINATION have to do with anything?
If this godly elephant was called say…GaneSha ElviS, do you think it would move its pelviS?
Do the twist in mid-air?
What if the ‘piston universe’ operates similar to a TWISTING ‘SPRING STRING’ which also rotates as it is compressing and decompressing?
Start watching the video around 8:11, pay attention to what Nassim Haramein adds at 9:25.
“…spacetime doesn’t just curve but it twists”
The SWASTIKA we see in the center is merely another of those coincidences.
Now can you see any significant similarity between these images?
In conclusion this Swastika Plate from 5000 BC appears to be a model of the Milky Way and our own solar system too I would have to say, and most importantly it is model for how an electron moves up and down energy levels. The fact it can be applied to all levels of scaling, the big and the small, thus being a model based on observations made using the naked eye, that we are now finding is meshing quite nicely with the invisible detected world using microscopes and telescopes, mathematics and physics is hard for many people to digest.
Van Allen Belts
There are two electron belts and one proton belt
Three Van Allen belts, coloured diagram:
- blue: Inner Van Allen belt (protons)
(voltage per particle: over 10 mio. volt)
- pink: New Van Allen belt (electrons)
(voltage per particle: 1 to 5 mio. volt)
- violet: Outer Van Allen belt (electrons)
(voltage per particle: 10 to 100 mio. volt).
The proton belt is located from about 500 kilometers above Earth’s surface and extends to 13,000 km. This Inner Belt contains protons with energies greater then 10 million volts. Scientists currently think that these protons are trapped cosmic ray particles from outside the solar system, or from the Sun itself possibly during severe solar flares.
The low-energy electron belt actually overlaps the volumes of space occupied by the proton belt. The electrons carry between 1 – 5 million volts of energy, on average.
The high-energy electron belt is located further out than the two overlaping inner belts, and in the above figure it is colored purple. Electrons in this Outer Belt carry between 10 to
HIS-story by itself is not to be confused with a real history that attempts to accommodate a HER-story in addition to HIS-story.
Could the drug induced shaman have connected with the cosmos and its patterns, been given glimpses to a universal ‘truth’, accessed by ingesting various botanical cocktails, a practice that has since gone out of fashion in civilized countries?
I feel for Marija Gimbutas and how the ignorance of her day is still casting a shadow over the ongoing recovery.
“fish don’t’ swim, they’re swum and birds don’t fly, they’re flown”
SEG is an interesting model being proposed as an over unity device
but clearly the ‘design’ itself has flaws that render it
incapable of extracting energy from the ‘torsion field’ efficiently
A design which was born from the inspiration of the LAW of SQUARES.
The LAW of SQUARES are derived from the archaic mystical magical squares.
Which puts the SEG on the same page as the chemists, mystics, the cabal of Kabbalists and the wisdom of Confucius and the 5000 year old I Ching.
And the SEG appears to be on the same page as these two models which indicate how things should FLOW from the center out to the edge and back.
“fish don’t’ swim, they’re swum and birds don’t fly, they’re flown”
“humans don’t lead, they are led”
i.e. ye are stardust reduced to being lead, led, or LED
Light Emitting Diodes …. hehehe
above image of the base of the altar updated 2015 ~ compliments of Doug Ahau
The altar found in Monasterio de Santa Catalina in Arequipa Peru that would irrevocably alter my life the moment I walked into this room which was part of the Novices Cloister.
But at the time I did not know it.
Swastika is the KEY of Universal Movement, forming part of an ancient vortex theory, along with phi and pi and the Maltese cross.
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”