“…MY GOD (ELI) MY GOD (ELI) why has Thou forsaken me (lama sabachthani)?”
Posted November 19, 2011on:
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Fibonacci details a sequence, a pattern of scaling referred to as fractals.
Phi presents itself as both an algorithm, and as a logarithmic spiral that nature likes to employ.
The video and the ancient scriptures suggest that the human body is a temple, that we can use to learn about the universe.
“MAN IS THE MEASURE OF ALL THINGS”
And who today do we associate with the sacred craft of ‘MEASUREMENT‘?
A triptych (pron.:/ˈtrɪptɪk/trip-tik; (from the Greek adjective τρίπτυχοs (“three-fold”), from tri-= “three” + ptysso= “to fold”) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels which are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.
I love the image that wiki provides as an example of the triptych!
Note the central panel which clearly resembles a swastika!
For the Canaanites, ELI or IL was the supreme god, the father of mankind and all creatures.
He may have been a desert god at some point, as the myths say that he had two wives and built a sanctuary with them and his new children in the desert.
El had fathered many gods, but most important were Hadad, Yam, and Mot, each share similar attributes to the Greco-Roman gods: Zeus, Poseidon, and Hades respectively.
“Eli, Eli lama sabachthani”
“MY GOD, MY GOD, why has Thou forsaken me?
The Greek text from which Jesus’ statement is derived is: ”Now from the sixth hour until the ninth hour there was darkness over all the land. And about the ninth hour Jesus cried out with a loud voice, saying
‘Eli, Eli, lama sabachthani?’
…that is, ‘My God, My God, why have You forsaken Me?’ “
(Matthew 27:45-46, NKJV throughout)
English translation: ELI, ELI
Greek: ηλί, ηλί
Literal meaning: GOD, GOD
NOW as I have illustrated in earlier posts on this blog, the 6 and 9 are vital clues when trying to understand how the 137 69 code unravels.
Elementary particles spin at 1.37 times the speed of light.
Concrete proof that relativity can be violated can be found in George Gamow’s watershed book Thirty Years That Shook Physics.
Gamow, one of the founding fathers of quantum physics, tells us that in the mid-1920′s, Goudsmit and Uhlenbeck discovered not only that electrons were orthorotating, but also that they were spinning at 1.37 times the speed of light.
Gamow makes it clear that this discovery did not violate anything in quantum physics, what it violated was Einstein’s principle that nothing could travel faster than the speed of light. Paul Adrian Dirac studied the problem. Following in the footsteps of Herman Minkowski, who used an imaginary number i, (the square root of -1) to be equivalent to the time coordinate in spacetime equations, Dirac assigned the same number i to electron spin. In this way he was able to combine relativity with quantum mechanics and won a Nobel Prize for the idea in the process (1966, pp. 120-121). That was the upside. The downside was that the finding that elementary particles spin faster than the speed of light as a matter of course went the way of the passenger pigeon. No physicist talks about this anymore. What this means is that the entire evolution of 20th and nascent 21st century physics is evolving ignoring this key Goudsmit and Uhlenbeck finding. The ramifications suggest that elementary particles, by their nature, interface dimensions, the faster than c realm stemming from the ether.
UPSTROKES AND DOWNSTROKES
by Marc Seifer (handwriting expert plus a big fan of Tesla)
“It is at this point that a leap to a discussion of brain organization can occur.
Downstrokes are apparently more linked to left brain activity, and upstrokes more linked to right brained activity.
This hypothesis is supported by Jeanette Farmer who suggests that contracted writers tend to be more left brain dominant, whereas released writers tend to be more right brained.
Taking it a step further, we know that language is centered in the left hemisphere, and pictures are more centered in the right. However, there is some evidence from Luria (1980), that consonants are more left brain centered, and vwls r mr rght bn cntred. Note that the last phrase is possible to read even without the vowels.
This is analogous to the fact that one can read handwriting if all the downstrokes are present, but cannot do so if only upstrokes are present.
What all of this suggests is the possibility that the process of language and the creation of written speech, i.e., handwriting, apparently involves a close interplay of interhemispheric communication. The language center is not just located in the left hemisphere, but involves both. An example of this was pointed out by an associate of mine who suffered a temporary but debilitating stroke to the left temporal lobe, Broca’s area, which is, the language center for speech production of his brain. He could “think” the alphabet, but he could not “say” the alphabet for a full twelve hours. Rhythm, which Klages tells us is the balance between contraction and release, therefore also suggests a balanced relationship between left and right hemispheres of the brain as well..
Taking this a step further, we can thus see that the concept of Connectedness is directly associated to the link between to conscious and unconscious processes, and perhaps, also, to the left and right hemispheres of the brain.”
Please note the 16 letter X-stem Logic Alphabet is comprised of an equal number of upstroke and downstroke letters that can also be placed into a discussion involving ‘reflections’ and ‘rotations’.
A letter for p is conspicuously absent, since the phoneme was lost in Proto-Celtic, and the gap was not filled in Q-Celtic, and no sign was needed before loanwords from Latin containing p appeared in Irish (e.g., Patrick). Conversely, there is a letter for the labiovelar q (ᚊ ceirt), a phoneme lost in Old Irish. The base alphabet is therefore, as it were, designed for Proto-Q-Celtic.
As can be shown when discussing Shea Zellweger‘s X-Stem Logic Alphabet (above image) and messengers of light called PHOsphenes and the correlation to the letter p and q, each respectively not accounted for in the Proto and Q-Celtic.
WHAT IF 69 = b9 = bb?
But where am I going with bIbLE = ELI (or ILE) + bb = bab ILu
Is it all just tower of power bible babel?
I noticed one day if you remove the vowels words like GeNeSiS and GNoSiS are reduced to the same four consonants GNSS.
I also noticed that the words BiBLe and BaB-iLu shared the same coincidence.
Both words can be reduced to BBL as can the city of ByBLos.
ByBLoS is the Greek name of the Phoenician city Gebal.
Most importantly we can trace the origin of most western alphabets to the PHOenicians.
BiBLe, BaBeL, BaB-iLu, and ByBLoS all reduce to BBL
(byblos has the extra ‘S’)
I now need to introduce the association between the word BaB-iLu and the numbers ‘369‘ and the 8 pointed star comprised of 4 axis.
3 6 9 are three numbers and a phrase that many people today are associating with not only Nicholas Tesla and ‘a secret code’ but also to Marko Rodin‘s VORTEX based mathematics.
However note that Marko refers to the sequence as 396.
(is this a clue?)
“If you only knew the magnificence of the 3 – 6 – 9, then you would have the key to the universe.”
- Nicholas Tesla
CROSS OF THE ILU and the turtle and 369?
The most important feature of this 8 pointed cross is that it is an 8-pointed cross having 4 axis, demarcating 8 directions…and that the ILU of 12, 15, and 9 reduce to 3,6,9, and it is important to acknowledge that the 8 pointed star was connected to Venus, as morning and evening star.
Morning it was portrayed as a 5 pointed star, and as the evening star Venus was portrayed as an 8-pointed star….and and and the number 58 is associated with the head of St. John the Baptist.
(note that in symbolism, the iron grid like the one we see below denotes something vEILed or hidden)
Here we have more evidence of another cosmic meme-anagram-tELegram regarding 137
So how do we connect it all to CERN and the bigger picture we never get to see or be privy too?
(courtesy of FOX, CNN, NYTimes etc.)
Here are two images separated by 400 years. Obviously the MAIN IDEA is that both images are PROJECTING or going INWARD, and this IDEA has not changed much in hundreds if not thousands of years.
The preliterate Shaman going inward comes to mind, because their role was to enter such metaphysical realms.
400 years separate this IDEA
Are these 8 pointed stars or gateways?
1st image was made in I606 AD, followed by the modern ‘Gateway’, the 21st century marvel of science, the CERN particle accelerator.
Both of these TIME TUNNELS even have the resident LEvI -aka- I^37 aLchEmIst perched inside.
Do you see the little men inside both tunnels?
The 1606 AD version of an archetypal CERN was entitled ’The Gateway to Eternal Wisdom‘
Heinrich Kunrath’s 1606 version of this ‘archetypal porthole’ even has a warning above the entry, the translation says:
“stay away, keep out from here, ye profane”
more inPHOmation in a photon world:
image above is me back in the mid-80s traveling through Greece.
Behind me is the harbor where Colossus stood marking the entry to the city of Rhodes, as the image below suggests.
You can see one of the pillars clearly to the right of my left leg, the pillar on the left is partially obstructed.
TheColossus of Rhodeswas a statue of the Greek Titan hELIos, erected in the city of Rhodes between 292 and 280 BC.
What is the significance of the meme ‘hELIos’ to the underlying narrative being passed forward through Space marking Time?
click on link
37 – EL – Cube – Moon – Sun
But but butt did you notice the BLACK WHITE RED moped pARKed between my two legs which form the shape of a triangle or the letter A?
We see a glyph comprised of three white pieces of tape on the side of the moped, a glyph/symbol which in fact is the origin of the species when discussing the source of the letter A in our alphabets.
Note in the above image that the Colossus has a boat passing between his legs.
This is the usual depiction of the SS ColoSSus.
I happen to have a moped.
The glyph on the moped is in fact the mirror image of the first letter of the Semitic/Phoenician alphabet ‘aleph‘ which is associated with/shares its name with the enigmatic 137 which is called alpha or the fine structure constant*.
*Science calls ’137′ a constant giving you the impression it is forever etched in stone.
But it is NOT a constant that has not been breeched.
It has and it is important to rEMEMber that.
source of image: http://www.ancient-hebrew.org/3_al.html
Now that is weird, it is as though that moped has been there since that picture was taken back in the 1980s waiting for me to notice this ‘coincidence’, till right now I never did (today is September 6/2012).
But I noticed it because today I KNOW that there are NO COINCIDENCES and I will allow myself to believe such a thing can happen.
It is all EVIDENCE of the unity we fail to comprehend with our 5 senses that have positioned our reality primarily between the two pillars, i.e. infrared and ultraviolet blue.
These same two pillars also make their appearance in non-Masonic religious works, like the Bible.
“And he set up the pillars in the porch of the temple: and he set up the
right pillar, and called the name thereof Jachin: and he set up the left
pillar, and called the name there of Boaz. (1 Kings 7:21)
“And he reared up the pillars before the temple, one on the right hand, and
the other on the left; and called the name of that on the right hand Jachin,
and the name of that on the left Boaz. (2 Chronicles 3:17)”
The IDEA of ‘something’ between TWO PILLARS is another IDEA that has stood the test of time.
Something like a boat or an ark passing a test.
Noah’s ARK was 137 metres long, could we write 137 on the side of this boat/ARK and place it between the two spectral lines of the hydrogen atom, or could 137 be a analogy for Jesus placed between the two thieves, i.e. the two polarities, positive and negative?
Why not two dragons or two opposite rotating swastikas?
Sacred Taoist script form of the character shou or long life linking Heaven with Earth and guarded by dragons.
The pattern reflects the inner meditative process.
Wan-li period (1573-1620)
I want to present one more link, one more piece of evidence linking the Chinese Alchemists to the Scottish Freemasons via the pervasive archetype which is proving itself to be the ULTIMATE MEme generating machine which is capable of helping mankind to create all kinds of great IDEAS and applications.
Yes I AM speaking about the swastika.
Above it was pointed out that the two opposed swastikas, the two dragons providing a symmetrical balance are profoundly connected to the idea of shou, or long life.
Being associated in some way with the link between Heaven and Earth.
All Masonic lodges have these two pillars at some location in their architecture. In the earliest Lodges, they were said to represent far more ancient pillars, supposedly erected by “the children of Lamech.” On those ancient pillars — one of brick, one of stone — were said to be engraved all the then known sciences to preserve them from destruction “by fire or inundation.” As such, they symbolized the esoteric importance of the knowledge of the builder’s (mason’s) art, to be guarded and preserved by future faithful craftsmen. Simply put, according to Masonic legend, “the children of Lamech” were the inhabitants of Atlantis. This information, passed down from that prior highly advanced civilization, is supposed to form the basis of the Masonic secrets “from the ancient times.”
Hundreds of years later, shortly before the American Revolution, these original representations of “ancient, preserved knowledge” were replaced in Masonic lodges with two brass pillars, representing two similar pillars originally erected at the entrance to King Solomon’s Temple in Jerusalem — the Pillars of Jachin and Boaz. The new Masonic pillars took on the symbolic attributes of “establishment” and “strength,” cleverly concealing their continuing representation of the great catastrophe which had destroyed a previous epoch of “high civilization,” beneath additional layers of almost impenetrable (for most non-members) new symbolic interpretation.
What do the Freemasons know about two swastikas and LIGHT and HaTha Yoga and gettting a rise out of your kundalini?
137-9 Mesoamerica Code – FIAT * LUX
Any association to THA HA yoga is by intention.
I have found the swastika/s are fine guides to consult once we enter the nano world too.
image above taken from Brian Greene’s Search for Hidden Dimensions
found here go to 5:00
ELectrons are rudimentary as this partial sketch of the timeline of the big bang, on a physicist’s blackboard clearly illustrates.
And 137 the dimensionless constant, which is the product of a formula involving a trinity of constants, the of speed of light, the Planck constant, and the charge of the EL-ectron, does in fact concern itself with the EL-ectron’s ability to give/emit or receive/absorb PHOtons.
Something a LEvI priest in charge of the ‘I37 meter Ark’ would need to know something about in order to work the magic, black or white….
This is an interesting source for info on ‘crucifixions’.